audre lorde makes me cry every time!!!! shes too real

Unacknowledged class differences rob women of each othersโ€™ energy and creative insight. Recently a womenโ€™s magazine collective made the decision for one issue to print only prose, saying poetry was a less โ€˜rigorousโ€™ or โ€˜seriousโ€™ art form. Yet even the form our creativity takes is often a class issue. Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of oneโ€™s own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time. The actual requirements to produce the visual arts also help determine, along class lines, whose art is whose. In this day of inflated prices for material, who are our sculptors, our painters, our photographers? When we speak of a broadly based womenโ€™s culture, we need to be aware of the effect of class and economic differences on the supplies available for producing art.

Lorde, Audre. โ€œAge, Race, Class, and Sex: Women Redefining Difference.โ€ Sister Outsider. New York: Ten Speed Press, 1984. 114โ€“123. Print. 116. (via magdor)

love that ebay lets u click “sell one like this” and automates a listing for u even on items u purchased. very useful for when i buy stuff then it doesnt fit lmao

His response “not all cops” …..”ppl r throwing bricks at police tho”…….. Lord help me